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The legend of King Arthur, a fifth-century warrior who supposedly led the fight against Saxon invaders, continues to fascinate today. Here, as part of our Myths and Legends Week, historian John Matthews reveals eight things you probably didn’t know about King Arthur…
1) The once and future king
Arthur, sometimes known as ‘the king that was and the king that shall be’, is recognised all over the world as one of the most famous characters of myth and legend. Yet, if he existed at all (which few scholars agree upon), he would not have been a king, but the commander of an elite force of fighting men. Furthermore, he would have lived more than 500 years before medieval legends suggest.
All that is known, with even the least degree of certainty, is that a man named Arthur, or Arturus, led a band of heroic warriors who spearheaded the resistance of Britons against the invading Saxons, Jutes, and others from the north of Europe, sometime in the fifth and sixth centuries AD.
Another theory claims that Arthur was a Roman centurion named Lucius Artorius Castus, who fought against the Picts [northern tribes that constituted the largest kingdom in Dark Age Scotland] on Hadrian’s Wall in the second century AD, some 300 years earlier than the time at which Arthur’s dates are normally set.
Even Arthur’s birthplace and base of operations are questionable. Camelot – the castled city associated with King Arthur – was invented by the 12th-century French poet Chrétien de Troyes. Arthur’s association with Cornwall and parts of Wales is an idea fostered by 18th-century antiquarians such as William Stukeley, who carried out one of the first archaeological investigations at Cadbury Castle in Somerset, long believed in local folklore to be the original site of Camelot.
Whatever the truth – and we may never know for sure – the adventures of the legendary King Arthur, with his Round Table Fellowship of Knights based in the mythical city of Camelot, were told and retold between the 11th and 15th centuries in hundreds of manuscripts in at least a dozen languages. “What place is there within the bounds of the Empire of Christendom to which the winged praise of Arthur the Briton has not extended?” wrote the 12th-century chronicler Alanus ab Insulis (or Alain de Lille). Today Arthurian stories are told in English, French, German, Italian, Spanish, Icelandic, Dutch, Russian, and even Hebrew.
2) The Round Table
The Round Table is the centerpiece of the Arthurian world. According to the 13th-century poet Layamon, Arthur ordered the table to be built for him by a famous Cornish carpenter, who somehow made the table capable of seating 1,600 men (clearly an exaggeration), yet easily portable to wherever Arthur set up his mobile base of operations.
Other stories suggest it was Merlin, the king’s magician, who made the table – “round” he said, “in the likeness of the world” – and who sent out a call to the bravest and truest knights to join a great fellowship whose task was to care for the disenfranchised (especially women), and who would do no harm to anyone who did not deserve it.
Some 150 knights were said to have sat at the Round Table. Their adventures lead us into a magical realm of wonder: where ‘faery women’ test the nobility of the knights by offering them seemingly impossible tasks, and strange creatures lurk in the shadows of a vast forest, in whose depth are clearings where castles, chapels, hermitages, and ruins are found – some empty, others containing dangerous foes.
When they had largely rid the land of monsters, dragons, and evil customs, the knights undertook their greatest task of all – the quest for the Holy Grail. Many did not return.
Merlin, Arthur’s advisor, appears in different legends as a magician, a prophet, a wildman, or a visionary poet. He is said to have helped bring about the birth of the future king by magically giving Arthur’s father, Uther Pendragon, the likeness of his rival, Gorlois of Tintagel, Duke of Cornwall, so that Uther could engender a child with Gorlois’ wife, Igraine. Once Arthur was born, Merlin is said to have carried him away to a secret location in the forest, and watched over him until he came of age.
At this point, Merlin supposedly arranged the test of the Sword in the Stone, which only the true king could draw. This sword is often confused with Arthur’s most famous weapon, Excalibur, the legendary sword said to have magical powers. In fact that blade was given to Arthur later by the Lady of the Lake (a ‘faery woman’ who appears in the stories), after the sword from the stone breaks during battle.
It is another such faery being, Nimue, the handmaid of the Lady of the Lake, who becomes Merlin’s nemesis: Merlin falls passionately in love with the beautiful damsel, who tricks him into giving her the secrets of his magic and then uses them against him, locking him forever in a cave from which, years after, ‘the cry of Merlin’ could still be heard.
Merlin’s own origins are almost as difficult to establish as Arthur’s. A collection of poems, magical and mystical in nature, is attributed to a princely bard named Myrddin, whose British name was changed because of its unfortunate similarity to merde (excrement) in French. The 12th-century writer Geoffrey of Monmouth, who included Arthur in his History of the Kings of Britain (1138), also wrote a Life of Merlin (c1150), in which a sixth-century prince goes mad after seeing his nephews killed in battle and who hides in the forest, telling stories to a pet pig. Geoffrey clearly considered this was the same Merlin as the character included in his later History of the Kings of Britain.
4) Faery women
Many faery women thread together the stories of Arthur and his knights. This is probably because a good number of the stories originated not in Britain, but in Brittany – or, as it was known then, Armorica or Aermorica, where belief in ancient deities and the faery race lived on. These faery tales became interwoven with stories of chivalry beloved by the courtly circle. Within the courtly circle these stories were told by roving troubadours – poets who learned dozens of Arthurian tales by heart.
In c1150 Geoffrey of Monmouth named nine sisters in his Vita Merlini as the rulers of the enchanted island of Avalon. Among them was Morgen (more familiar to us as Morgan le Fay), who in later stories is described as Arthur’s half-sister and becomes his most implacable foe. Sir Thomas Malory, in his great 15th-century novel, Le Mort D’Arthur, tells us Morgan was “put to school on a nunnery, where she learned magic and necromancy”.
Though this may sound odd to us today, many of the women in enclosed orders were learned, and since learning was frequently equated with magic, thus Morgan came to be considered a sorceress.
5) The grail
The greatest task undertaken by Arthur’s knights was the quest for the grail, a mysterious vessel linked to the Passion of Christ [the story of Jesus Christ’s arrest, trial, suffering, and eventual execution by crucifixion]. According to the 12th-century poet Robert De Boron, the grail was used to celebrate the Last Supper, and afterwards by Christ’s ‘uncle’, Joseph of Arimathea, to catch some of the blood that flowed from the Saviour as his body was taken down from the cross.
Earlier stories, from the mythology of the Celts, can be seen as precursors of the grail: they spoke of “cauldrons of plenty” that provided food for heroes and could even bring the dead to life. But once the links with Christian belief were established in the 12th century, the grail became a holy relic sought by mystics and heroes – and, most famously, by Arthur’s fellowship.
All 150 knights of the Round Table are said to have gone forth in search of the sacred vessel after it appeared at Camelot during Pentecost [a feast celebrated each year on the 50th day after the Great and Holy Feast of Pascha (Easter) and 10 days after the Feast of the Ascension of Christ]. Of those who went forth only three succeeded in their quest to find the grail: the saintly knight Sir Galahad, the simple Sir Percival, and the honest, plain-spoken Sir Bors.
Many other knights perished, and this undoubtedly weakened both the Round Table and Arthur’s court, preparing the way for the dark days to come when Arthur’s illegitimate son Mordred rose up against him and ended the dream of Camelot.
6) Lancelot and Guinevere
Love stories feature a great deal in the Arthurian world. Tristan and Isolde, for example, best known these days from Wagner’s 1859 opera that retold their story, were famous doomed lovers. But another story, originating in France, became one of the best known of the Arthurian tales: the love story of Lancelot and Guinevere.
The 12th-century poet Chrétien de Troyes gave us an account of their romance in his Lancelot, or the Knight of the Cart (c1177). No stories before this feature Lancelot, so we must assume that Chrétien invented him. Lancelot became known as the greatest knight of the Round Table and Arthur’s most trusted ally, but it was his illicit love for Queen Guinevere that made him famous.
Chrétien’s story tells a dramatic tale of Guinevere’s abduction by a lord named Melwas, who had fallen in love with the queen, and of Lancelot’s efforts to rescue her. In order to reach Melwas’ castle, where she is held, Lancelot is forced to ride in a cart – a vehicle reserved for criminals on their way to the gallows. But Lancelot hesitates for a moment, and when Guinevere learns of this this later on she spurns him as not worthy of her affections.
Later stories extended Lancelot and Guinevere’s love into a full-blown affair, which in the end brought down the Round Table and ushered in the end of Arthur’s reign when Lancelot rescued the queen, who had been condemned to burn at the stake, and in the process killed several of Arthur’s knights. With the king reluctantly forced to attack Lancelot, the way was left open for Mordred to attack Camelot.
7) The death of Arthur
Weakened by the losses incurred during the quest for the grail, and then by the scandal of Lancelot and Guinevere, Arthur’s kingdom began to break apart.
War broke out after Lancelot staged an armed rescue of Guinevere, condemned to death for her treasonous love for the great knight. In the heat of battle Lancelot killed two of Arthur’s best men, Gareth and Gaheris, who had defended the queen. Their brother, the famous knight Sir Gawain, thus became Lancelot’s most bitter foe, and as Arthur was forced to respond to Lancelot’s rescue of the queen, he reluctantly led an army to France to attack him.
While Arthur and Gawain were away attacking Lancelot, King Arthur’s son, Mordred, raised an army and declared himself king. With the hasty return of the true king to Britain, a final battle took place at Camlann. Arthur killed Mordred, but suffered a wound that seemed likely to kill him – though in the end he was taken to Avalon to be healed.
There follows one of the most famous scenes in the entire series of Arthurian stories: Arthur’s faithful follower, Sir Bedivere, throws the king’s mighty sword back into the lake from which it had come at the beginning of his reign (given him by the Lady of the Lake). A mysterious hand rises from the water and seizes the sword, drawing it under.
A ship then appears, carrying three queens, who take the wounded Arthur away, across the sea to the fabled Isle of Avalon, where it is said he would be healed of his wounds and live on, awaiting recall by his country in time of need – the ‘once and future king’ indeed.
8) Arthur’s bones
Belief in Arthur’s expected return to his country was kept alive in stories for many years by the people of Britain. Arthur’s bones were supposedly found at Glastonbury Abbey in 1191, though this was nothing more than a fabrication designed to quell the belief that Arthur would return to expel the invading Normans. Nevertheless, some bones were indeed interred in a black marble tomb in 1278 at the expense of Edward I.
To this day, countless new books, films, television shows and plays continue to be created about King Arthur, adding to the popularity of the legends, which remain among the most familiar and best-loved stories of all time.
John Matthews is a historian who has produced more than 100 books on myth, the Arthurian legends, and the history of the Grail. His latest book, King Arthur: Many Faces, One Hero, co-written with Caitlín Matthews, will be published by Inner Traditions in 2016.
Madam, ye are greatly to blame for Sir Lancelot, for now have ye lost him, for I saw and heard by his countenance that he is mad for ever. Alas, madam, ye do great sin, and to yourself great dishonour, for ye have a lord of your own, and therefore it is your part to love him; for there is no queen in this world hath such another king as ye have.
Dame Elaine to Queen Guinevere, 622
Queen Guinevere is rebuked several times during the epic for her treatment of Lancelot, and this attack touches on the selfishness that leads her to treat him poorly. Here, Elaine, the mother of Lancelot’s son, reprimands the Queen for her selfish and damaging reactions. Guinevere has sent Lancelot away again, because he was tricked into sleeping with Elaine. There is some hypocrisy here – Elaine only has Lancelot through selfish subterfuge – but she is far less important character than Guinevere. Guinevere is the woman to whom many of the other female characters are compared, for both beauty or nobility, and yet she is often defined as much by jealously and insecurity as by those greater virtues. She is unwilling to accept her high place as Queen of England, but instead demands even more, demands which will partially lead to the end of her husband’s reign. This characterization also touches on the ambivalence with which the epic treats women, as people with little agency outside of the danger they present through their sexuality.
For madam, I love not to be constrained to love; for love must arise of the heart, and not by no constraint.
Lancelot to Guinevere, 826
Le Morte D’Arthur
After the body of Elaine (the Fair Maiden of Astolat) arrives, Lancelot is confronted by Guinevere about his guilt in her death. She accuses him of not loving Elaine, and hence causing her death. This reply both confirms the all-consuming power of love and Lancelot’s devotion to Guinevere. He is subtly reminding her that love cannot be controlled, and that he remains devoted to her not by choice but by love. However, he also reveals unwittingly that it has power beyond the lover’s desires. He never meant to destroy King Arthur’s kingdom, but his all-powerful love for Guinevere required as much, and so this answer serves as foreshadowing. King Arthur approves of Lancelot’s statement, though he misses its subtlety.