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The legend of King Arthur, a fifth-century warrior who supposedly led the fight against Saxon invaders, continues to fascinate today. Here, as part of our Myths and Legends Week, historian John Matthews reveals eight things you probably didn’t know about King Arthur…
1) The once and future king
Arthur, sometimes known as ‘the king that was and the king that shall be’, is recognised all over the world as one of the most famous characters of myth and legend. Yet, if he existed at all (which few scholars agree upon), he would not have been a king, but the commander of an elite force of fighting men. Furthermore, he would have lived more than 500 years before medieval legends suggest.
All that is known, with even the least degree of certainty, is that a man named Arthur, or Arturus, led a band of heroic warriors who spearheaded the resistance of Britons against the invading Saxons, Jutes, and others from the north of Europe, sometime in the fifth and sixth centuries AD.
Another theory claims that Arthur was a Roman centurion named Lucius Artorius Castus, who fought against the Picts [northern tribes that constituted the largest kingdom in Dark Age Scotland] on Hadrian’s Wall in the second century AD, some 300 years earlier than the time at which Arthur’s dates are normally set.
Even Arthur’s birthplace and base of operations are questionable. Camelot – the castled city associated with King Arthur – was invented by the 12th-century French poet Chrétien de Troyes. Arthur’s association with Cornwall and parts of Wales is an idea fostered by 18th-century antiquarians such as William Stukeley, who carried out one of the first archaeological investigations at Cadbury Castle in Somerset, long believed in local folklore to be the original site of Camelot.
Whatever the truth – and we may never know for sure – the adventures of the legendary King Arthur, with his Round Table Fellowship of Knights based in the mythical city of Camelot, were told and retold between the 11th and 15th centuries in hundreds of manuscripts in at least a dozen languages. “What place is there within the bounds of the Empire of Christendom to which the winged praise of Arthur the Briton has not extended?” wrote the 12th-century chronicler Alanus ab Insulis (or Alain de Lille). Today Arthurian stories are told in English, French, German, Italian, Spanish, Icelandic, Dutch, Russian, and even Hebrew.
2) The Round Table
The Round Table is the centerpiece of the Arthurian world. According to the 13th-century poet Layamon, Arthur ordered the table to be built for him by a famous Cornish carpenter, who somehow made the table capable of seating 1,600 men (clearly an exaggeration), yet easily portable to wherever Arthur set up his mobile base of operations.
Other stories suggest it was Merlin, the king’s magician, who made the table – “round” he said, “in the likeness of the world” – and who sent out a call to the bravest and truest knights to join a great fellowship whose task was to care for the disenfranchised (especially women), and who would do no harm to anyone who did not deserve it.
Some 150 knights were said to have sat at the Round Table. Their adventures lead us into a magical realm of wonder: where ‘faery women’ test the nobility of the knights by offering them seemingly impossible tasks, and strange creatures lurk in the shadows of a vast forest, in whose depth are clearings where castles, chapels, hermitages, and ruins are found – some empty, others containing dangerous foes.
When they had largely rid the land of monsters, dragons, and evil customs, the knights undertook their greatest task of all – the quest for the Holy Grail. Many did not return.
Merlin, Arthur’s advisor, appears in different legends as a magician, a prophet, a wildman, or a visionary poet. He is said to have helped bring about the birth of the future king by magically giving Arthur’s father, Uther Pendragon, the likeness of his rival, Gorlois of Tintagel, Duke of Cornwall, so that Uther could engender a child with Gorlois’ wife, Igraine. Once Arthur was born, Merlin is said to have carried him away to a secret location in the forest, and watched over him until he came of age.
At this point, Merlin supposedly arranged the test of the Sword in the Stone, which only the true king could draw. This sword is often confused with Arthur’s most famous weapon, Excalibur, the legendary sword said to have magical powers. In fact that blade was given to Arthur later by the Lady of the Lake (a ‘faery woman’ who appears in the stories), after the sword from the stone breaks during battle.
It is another such faery being, Nimue, the handmaid of the Lady of the Lake, who becomes Merlin’s nemesis: Merlin falls passionately in love with the beautiful damsel, who tricks him into giving her the secrets of his magic and then uses them against him, locking him forever in a cave from which, years after, ‘the cry of Merlin’ could still be heard.
Merlin’s own origins are almost as difficult to establish as Arthur’s. A collection of poems, magical and mystical in nature, is attributed to a princely bard named Myrddin, whose British name was changed because of its unfortunate similarity to merde (excrement) in French. The 12th-century writer Geoffrey of Monmouth, who included Arthur in his History of the Kings of Britain (1138), also wrote a Life of Merlin (c1150), in which a sixth-century prince goes mad after seeing his nephews killed in battle and who hides in the forest, telling stories to a pet pig. Geoffrey clearly considered this was the same Merlin as the character included in his later History of the Kings of Britain.
4) Faery women
Many faery women thread together the stories of Arthur and his knights. This is probably because a good number of the stories originated not in Britain, but in Brittany – or, as it was known then, Armorica or Aermorica, where belief in ancient deities and the faery race lived on. These faery tales became interwoven with stories of chivalry beloved by the courtly circle. Within the courtly circle these stories were told by roving troubadours – poets who learned dozens of Arthurian tales by heart.
In c1150 Geoffrey of Monmouth named nine sisters in his Vita Merlini as the rulers of the enchanted island of Avalon. Among them was Morgen (more familiar to us as Morgan le Fay), who in later stories is described as Arthur’s half-sister and becomes his most implacable foe. Sir Thomas Malory, in his great 15th-century novel, Le Mort D’Arthur, tells us Morgan was “put to school on a nunnery, where she learned magic and necromancy”.
Though this may sound odd to us today, many of the women in enclosed orders were learned, and since learning was frequently equated with magic, thus Morgan came to be considered a sorceress.
5) The grail
The greatest task undertaken by Arthur’s knights was the quest for the grail, a mysterious vessel linked to the Passion of Christ [the story of Jesus Christ’s arrest, trial, suffering, and eventual execution by crucifixion]. According to the 12th-century poet Robert De Boron, the grail was used to celebrate the Last Supper, and afterwards by Christ’s ‘uncle’, Joseph of Arimathea, to catch some of the blood that flowed from the Saviour as his body was taken down from the cross.
Earlier stories, from the mythology of the Celts, can be seen as precursors of the grail: they spoke of “cauldrons of plenty” that provided food for heroes and could even bring the dead to life. But once the links with Christian belief were established in the 12th century, the grail became a holy relic sought by mystics and heroes – and, most famously, by Arthur’s fellowship.
All 150 knights of the Round Table are said to have gone forth in search of the sacred vessel after it appeared at Camelot during Pentecost [a feast celebrated each year on the 50th day after the Great and Holy Feast of Pascha (Easter) and 10 days after the Feast of the Ascension of Christ]. Of those who went forth only three succeeded in their quest to find the grail: the saintly knight Sir Galahad, the simple Sir Percival, and the honest, plain-spoken Sir Bors.
Many other knights perished, and this undoubtedly weakened both the Round Table and Arthur’s court, preparing the way for the dark days to come when Arthur’s illegitimate son Mordred rose up against him and ended the dream of Camelot.
6) Lancelot and Guinevere
Love stories feature a great deal in the Arthurian world. Tristan and Isolde, for example, best known these days from Wagner’s 1859 opera that retold their story, were famous doomed lovers. But another story, originating in France, became one of the best known of the Arthurian tales: the love story of Lancelot and Guinevere.
The 12th-century poet Chrétien de Troyes gave us an account of their romance in his Lancelot, or the Knight of the Cart (c1177). No stories before this feature Lancelot, so we must assume that Chrétien invented him. Lancelot became known as the greatest knight of the Round Table and Arthur’s most trusted ally, but it was his illicit love for Queen Guinevere that made him famous.
Chrétien’s story tells a dramatic tale of Guinevere’s abduction by a lord named Melwas, who had fallen in love with the queen, and of Lancelot’s efforts to rescue her. In order to reach Melwas’ castle, where she is held, Lancelot is forced to ride in a cart – a vehicle reserved for criminals on their way to the gallows. But Lancelot hesitates for a moment, and when Guinevere learns of this this later on she spurns him as not worthy of her affections.
Later stories extended Lancelot and Guinevere’s love into a full-blown affair, which in the end brought down the Round Table and ushered in the end of Arthur’s reign when Lancelot rescued the queen, who had been condemned to burn at the stake, and in the process killed several of Arthur’s knights. With the king reluctantly forced to attack Lancelot, the way was left open for Mordred to attack Camelot.
7) The death of Arthur
Weakened by the losses incurred during the quest for the grail, and then by the scandal of Lancelot and Guinevere, Arthur’s kingdom began to break apart.
War broke out after Lancelot staged an armed rescue of Guinevere, condemned to death for her treasonous love for the great knight. In the heat of battle Lancelot killed two of Arthur’s best men, Gareth and Gaheris, who had defended the queen. Their brother, the famous knight Sir Gawain, thus became Lancelot’s most bitter foe, and as Arthur was forced to respond to Lancelot’s rescue of the queen, he reluctantly led an army to France to attack him.
While Arthur and Gawain were away attacking Lancelot, King Arthur’s son, Mordred, raised an army and declared himself king. With the hasty return of the true king to Britain, a final battle took place at Camlann. Arthur killed Mordred, but suffered a wound that seemed likely to kill him – though in the end he was taken to Avalon to be healed.
There follows one of the most famous scenes in the entire series of Arthurian stories: Arthur’s faithful follower, Sir Bedivere, throws the king’s mighty sword back into the lake from which it had come at the beginning of his reign (given him by the Lady of the Lake). A mysterious hand rises from the water and seizes the sword, drawing it under.
A ship then appears, carrying three queens, who take the wounded Arthur away, across the sea to the fabled Isle of Avalon, where it is said he would be healed of his wounds and live on, awaiting recall by his country in time of need – the ‘once and future king’ indeed.
8) Arthur’s bones
Belief in Arthur’s expected return to his country was kept alive in stories for many years by the people of Britain. Arthur’s bones were supposedly found at Glastonbury Abbey in 1191, though this was nothing more than a fabrication designed to quell the belief that Arthur would return to expel the invading Normans. Nevertheless, some bones were indeed interred in a black marble tomb in 1278 at the expense of Edward I.
To this day, countless new books, films, television shows and plays continue to be created about King Arthur, adding to the popularity of the legends, which remain among the most familiar and best-loved stories of all time.
John Matthews is a historian who has produced more than 100 books on myth, the Arthurian legends, and the history of the Grail. His latest book, King Arthur: Many Faces, One Hero, co-written with Caitlín Matthews, will be published by Inner Traditions in 2016.
Morgan Le Fay,
Queen of ‘Gore’
(Born c.AD 473)
(Welsh: Morgan; Latin: Morganna; English: Morgan)
The much maligned Morgan Le Fay was, to a large extent, the invention of medieval romance writers such as Sir Thomas Malory. In his “Le Morte D’Arthur” Malory tells us that Morgan was one of the half-sisters of King Arthur, daughter of Ygerna and her first husband, Gorlois. The Vulgate Cycle of Arthurian tales tells how she became Guinevere’s lady in waiting and fell in love with the King’s nephew, Giomar. Guinevere, however, put an end to the romance and, as a result, Morgan eventually betrayed the Queen’s affair with Lancelot to King Arthur. She even sent the Green Knight to Camelot in order to frighten Guinevere to death. Morgan herself took a fancy to Lancelot at one point and imprisoned him for some time before he was able to escape.
Chrétien describes Morgan as a giver of healing ointments, but the lady is usually portrayed as a wicked enchantress who learned her initial mysterious skills from her corrupt education in an early Christian nunnery. Later, Merlin helped her to extend her magical powers. The story that she enticed King Arthur into an incestuous affair from which Mordred was born is, however, a misconception derived from the desire of modern authors to merge Morgan with her more sympathetic sister, (Anna-) Morgause.
Malory shows how Morgan hated Arthur for his purity and plotted with her lover, Sir Accolon, to steal both Excalibur and the British throne. Arthur met Accolon in combat without his magical sword, but the Lady of the Lake helped him retrieve it and win the battle. In return, Morgan stole Excalibur’s scabbard and threw it into the nearest lake. She eventually escaped Arthur’s wrath by transforming her entourage into stone.
Morgan retired to Gore (North Rheged) and then to her Castle of Tauroc (possibly in North Wales). The Royal court appears to have thought her dead until Arthur came across her residence while out hunting one day. The two were immediately reconciled. In late life she moved to the Isle of Avalon, and it was to here that she and her allies, the Queens of Northgalis (North Wales) and the Wastelands, took her wounded brother to be healed after the Battle of Camlann.
Malory makes Morgan the wife of King Uriens of Gore, an actual historical mid to late 6th century monarch of North Rheged (what is now Cumberland and Westmorland in Northern Britain). Though technically this may have been just about possible, during this time period it is stretching credulity a little far. Morgan was an elder half-sister of King Arthur who fought at Mount Badon around 495-500 and traditionally died in 537. Urien was assassinated during a military campaign around 590. The earlier Vulgate Cycle, however, makes Morgan a generation younger, being the daughter of King Lot of Lothian (Gododdin). On the other hand, Welsh Tradition tells us that Urien’s wife was Modron ferch Afallach, apparently a sister-in-law of King Maelgwn Gwynedd, and it may be that two ladies have become confused.
Alternatively, this latter identification may betray the lady’s true origins as a Pagan Celtic Goddess. Modron was the name of the Celtic Mother-Goddess, often depicted in Romano-British times as having a triple personality. This may be seen in Arthurian tales through her association with the Queens of Northgalis (North Wales) and the Wastelands. The Lady of the Lake may have been another aspect of the lady. Modron’s father, Afallach, was the titular God of the Celtic Otherworld, Avalon. Morgan is said to have lived here with her nine sisters, a not insignificant group similar to the Greek Muses. Some early sources actually refer to Morgan as “the Goddess,” while her shape-shifting and healing aspects clearly indicate heavenly powers. She appears to have gradually degenerated into “Le Fay” – a fairy – who could fly through the air on enchanted wings: to this day, the Breton name for a water-nymph is a Morgan.
The lady’s wicked character appears to have been the invention of the Cistercian monks who wrote the stories of the Vulgate Cycle. Influenced by memories of the ancient Irish Goddess, the Morrighan (Phantom Queen), another triple-aspect divinity representing life & death, sexuality and conflict, they painted poor pagan Morgan as black as they could. They believed it blasphemous for a healer to be neither male nor a member of a religious order and Morgan paid dearly for her reputation.
Geoffrey Ashe (1990) Mythology of the British Isles.
Peter C. Bartrum (1993) A Welsh Classical Dictionary.
Ronan Coghlan (1991) The Encyclopaedia of Arthurian Legends.
David Day (1995) The Quest for King Arthur.
Chrétien De Troyes (1160) Erec and Enide.
Chrétien De Troyes (1170) Yvain.
Miranda J. Green (1992) Dictionary of Celtic Myth and Legend.
Phyllis Ann Karr (1997) The Arthurian Companion.
Thomas Malory (1485) Le Morte D’Arthur.
John & Caitlin Matthews (1988) The Aquarian Guide to British and Irish Mythology.
John Matthews (1994) The Arthurian Tradtion.
Geoffrey of Monmouth (1150) The Life of Merlin.